Stanislavski and The Method

I recently read The Method by Isaac Butler. The Method was developed by Constantine Stanislavski the great Russian acting philosopher. The book takes Stanislavski from Russia in the early 20th century into the United States where his Method Acting catches fire and Butler continues to discuss American acting into the late 20th century.

As all trials are plays studying  Stanislavski helps to grow as a trial lawyer. The Stanislavski Method reminds me of Trial Lawyer’s College(TLC), where we learn to take off our mask and try cases with authenticity and without pretense.

The Method is often discussed as an exercise in Interiority. Like psychodrama at TLC the Method’s Interiority goes to my emotional memory. When working with my client I connect as best I can with what they have been through by going to my own emotional experience as similar as possible to my client’s emotional experience. This allows me to feel like my client and naturally reflect this feeling with the jury.

In The Method we learn  from Stella Adler, a student of Stanislavski and a great acting teacher, that her students must go beyond themself. We cannot expect the world to come to us so we must expand to meet the world. Adler teaches Life is beyond me so it is also outside of me, Thus, I must also go outside myself to the world. The essential thing to remember as a trial lawyer is life is in front of me and in front of the jury. This means I must go to life and take the jury with me.

To Stanislavski “Living the part” through emotional memory in line with the emotional action is the ideal to reach. To Adler moving forward  creates action and action is what we want. The best trial lawyers have sensitivity and the capacity to connect past emotional experience. This leads to a true to life natural action  moving forward with the jury.



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